Wednesday, May 6, 2020

Female Protagonists of Detective Narratives - 938 Words

This essay will focus on female protagonists who are the center and driving force behind a detective narrative. I will compare and contrast Clarice Starling in The Silence of the Lambs and Lisbeth Salander from The Girl With the Dragon Tattoo to explore two women that are progressive in breaking through traditional gender roles and are successful at portraying a female that goes against the grain. These women portray unique and progressive ideas about sexuality. Clarice and Lisbeth are two empowered females that are successful as detectives. Usually, a female in the center of detective film is misguided or taken advantage of because of the lack over control over their emotions. However, Clarice and Lisabeth are two examples of women that embrace their femininity in order to get closer to the killer. This paper will examine Clarice and Lisabeth from a post-feminist perspective to prove that these detectives are progressive in their roles. Mulvey suggests that women are passive objects on screen that are meant to be enjoyed and looked at at by the active male. Clarice and Slander can be seen as objects when critiquing it with just Mulveys theory, however when looked at from a post-feminist view it is clear that these women are intelligent in their roles as detectives, and they use their sexuality to help them excel in their careers. Secondly, Gates suggests that females as the center in a detective film become masculinized and if they do not end up in marriage or with love,Show MoreRelated Comparing ChinaTown and the Big Sleep Essay1278 Words   |  6 PagesSleep   Ã‚  Ã‚  Ã‚  Ã‚  ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70s. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especiallyRead MoreAnalysis Of The Poem La Malinche 1269 Words   |  6 Pagescontemporary Chicana/o authors like Lucha Corpi and Michael Nava through their work challenge it and offer a reinterpretation of previously neglected historical figures. With Gloria’s transgression into traditional masculine spaces as a Chicana detective and the reinterpretation of La Malinche, Corpi in Black Widow’s Wardrobe makes justice to Malinche for the agency that she was deprived off by past hi storians, like Octavio Paz’s giving her a mislabel of la chingada. In a similar matter, Nava inRead MoreLiterary Analysis : Modern Detective Fiction1573 Words   |  7 PagesModern detective fiction has been employed cross-culturally predominantly with television media in recent decades as detective serve as reflections of cultural assumptions and values conveyed through the genre. Authors of new innovative storylines with unique characterizations and revitalizations of classic, ageless characters coincide to present new shift messages about crimes, the human element, and the detective. The comparable and divergent adaptations of detective genre is coming when comparingRead MoreGucci Guilty : The New Chapter1865 Words   |  8 Pagesthemselves. The introduction to the advert begins with the letters G and C fusing together to create the logo. Whilst the advert itself has both a male and female protagonist, driving fast and dangerously towards each other, we see a beautiful female with big bright red lips driving an automobile; the male is driving a motorbike. The red lips of the female represent a lot of things, as red is a powerful colour in media. The red lips, fast car and tight leather tell the audience that this is a woman whoRead MoreBig Sleep965 Words   |  4 Pageschosen film adhere to or diverge from the generic convention at play within the genre of the chosen film? ‘The Big Sleep (1946) starring Humphrey Bogart and Lauren Bacall is one of Raymond Chandlers best hard-boiled detective mysteries transformed in to a Film Noir, private detective film classic. The Big Sleep is the best example of a classic Warner Brothers mystery. 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In my assignment I am going to consider how the couple is represented, and how the narrative structure and binary oppositions have influence on the plot of the story. nbsp;nbsp;nbsp;nbsp;nbsp; Bladerunner is a dark, futuristic science fiction movie, which has been described as a hybrid of science fiction, film noir, detective thriller, bounty-hunter western and love story. Thus, it is a complex filmRead MoreAbstract Space : The Void1650 Words   |  7 Pagesbetween reality and illusion. As in Rebecca, the painting of Carlotta perpetually hovers over Vertigo’s narrative, and is given the potential to create a void within and to fracture a traditional narrative. The dead Carlotta, in the questionably stable mind of Scottie and Elster, shows a strong visual resemblance to the living Madeline, as if she was a reincarnation of the dead woman. In a narrative focalized through a heavily masculine lens, the painting represents an unattainable object of desireRead MorePaint It Black: The Evolution of Film Noir Essay examples1578 Words   |  7 Pagesliterature. Many hard-boiled pulp novels written by Raymond Chandler and James M. Cain, were adapted for the silver screen. In the book, â€Å"Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period† Alain Silver states that â€Å"like its protagonists, film noir is more interested in style than theme, whereas American critics have been traditionally more interested in theme than style.† The aesthetics of film noir are synonymous with German Expressionism. In the film The Cabinet of Dr. CalgaryRead MoreModule a Clemmance - Distinctive Voices Life and Crimes of Harry Lavender1687 Words   |  7 Pagescomposer’s authorial voice in relation to relationships and the wider world to be expressed and communicated through different narrative voices. Using two prominent differentiating narrative voices, Day uses the character and voice of the protagonist, Claudia Valentine, and the antagonist, the crime overlord Harry Lavender, to not only juxtapose the nature of the protagonist and antagonist but also to express her realistic concerns about the moral decay of Sydney, to challenge the notion of stereotypes

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